January 28, 2023

SKS/Mass for the Endangered Hosted on With One Accord Podcast

With One Accord

In this episode of With One Accord, SKS discusses Mass for the Endangered with Houston Chamber Choir's St. John Flynn.

December 8, 2022

SKS Featured on CapRadio Podcast 'A Music of Their Own'

Majel Connery

Majel Connery interviews Sarah for the first-ever A Music of Their Own podcast, sponsored by CapRadio and NPR. In response to the question “Is music by women womanish?” composer Sarah Kirkland Snider discusses “emotional” music by Classical composers; charges of femininity in her own music by The New York Times; aging gracefully; and sex appeal.

March 1, 2022

Gramophone Magazine Profile

Pwyll ap Sion

In its March 2022 issue, Gramophone Magazine profiles Sarah's music and career, writing: "Expressive, evocative, and personal, Sarah Kirkland Snider’s music explores emotional landscapes through vivid, compelling narratives…a unique sound world that she has made identifiably her own – familiar, yet at the same time strange and unsettling.”

December 19, 2021

Chicago Symphony Orchestra Interview

Kyle MacMillan

In her notes on 'Something for the Dark,' Snider writes: “After a brief hint of passing doubt, Something for the Dark opens with a bold, heroic statement of hope and fortitude in the horns and trombones. I think of this music as the optimism of a very young person.”

June 22, 2021

I CARE IF YOU LISTEN 'Gloria' premiere

Amanda Cook

Premiere of 'Gloria' video and interactive piece, both by Deborah Johnson/Candystations, from 'Mass for the Endangered.'

March 3, 2021

YourClassical.org: 10 Female Composers You Should Know


"Sarah Kirkland Snider's work has led to her being touted as "one of the decade's most gifted up-and-coming modern classical composers" by Pitchfork. Her music invokes storytelling in a confident and sophisticated way, creating imagery that you can't help but see when hearing her pieces."

November 16, 2020

Classical Post interview

Natalia Kazaryan

Sarah speaks with pianist and scholar Natalia Kazaryan about her inspiration and challenges in writing Mass for the Endangered, how to be an activist with one’s art, her role models/muses, and the origin of New Amsterdam Records.

October 16, 2020

BBC Radio 3: In Tune Interview

Sean Rafferty

BBC Radio 3 In Tune speaks with Sarah about 'Mass for the Endangered (at 1h 25 min.)

October 15, 2020

Fifteen Questions Interview

Fifteen Questions asks Sarah about everything from her artistic journey and creative challenges to workspace, routine, and her process of composing 'Mass for the Endangered'; from collaboration, time, and sound, to her approach to being an artist, art and politics, and how music might thrive better in the 21st century.

October 10, 2020

Australia's ABC Radio The Music Show with Andrew Ford: podcast

Andrew Ford

"It’s a Mass, but not like you’ve ever heard. Sarah Kirkland Snider’s Mass for the Endangered is a prayer for threatened wildlife and appeals to the environment instead of God. Snider is also the co-founder of New Amsterdam Records, a non-profit label housing some of the finest 'classical misfits.' She discusses both here."

October 1, 2020

WGTE Classical Conversations

Brad Cresswell

Composer Sarah Kirkland Snider joins us to talk about her new release, Mass for the Endangered, a new take on the traditional Catholic Mass – this time directing its call to nature, rather than God - with soulful music masterfully performed by the vocal ensemble Gallicantus.

October 1, 2020

NPR All Songs Considered: Best of September

Tom Huizenga

"The young composer Sarah Kirkland Snider's new album, Mass for the Endangered, puts a 21st century spin on [the ancient, Catholic] blueprint. (NPR Music's No. 1 Albums And Songs Of September)

September 30, 2020

LaLaLa Records Interview

Ben see

Sarah speaks to LaLaLa Records's Ben See about her creative process, approach to setting text, influences, and 'Mass for the Endangered.'

September 28, 2020

OperaWire Q&A: On Composing and Recording 'Mass for the Endangered'

Francisco Salazar

OperaWire speaks with Sarah about her inspiration for 'Mass for the Endangered,' , the recording process with Gallicantus, why she loves recordings, and what terrifies her most about listening to her own music.

September 25, 2020

Seen and Heard International Profile

Rick Perdian

Sarah speaks to Rick Perdian about creativity and cancellations during lockdown, the genesis and recording of 'Mass for the Endangered,' and the very beginnings of composing an opera.

August 4, 2020

Disruptive Stages Podcast

Jennifer Williams

A conversation with Jennifer Williams, Director, for her podcast, Disruptive Stages. She and Sarah discuss immersive storytelling, her song cycle 'Penelope,' and how sometimes composing the "wrong" music can be the right choice.

July 13, 2020

Colin Currie on 'Mass for the Endangered' on BBC Radio Scotland's 'Classics Unwrapped'

Colin Currie

Internationally acclaimed percussionist Colin Currie has generous praise for Sarah's new recording: "Every once in a while something really special grabs my attention...The music, first and foremost, is absolutely gorgeous, sublime, rapturous, very intelligently done, very warm-hearted."

May 21, 2020

21CM: Four Composers Speak on Surviving Crises

Lara Pellegrinelli

"For those of us who need a reminder that there will be a light at the end of the tunnel, even if we can’t see it yet, I had conversations with four composers about past crises they faced as artists and human beings." Lara Pelligrinelli interviews Sarah, John Corigliano, Tania Leon, and Vijay Iyer.

May 20, 2020

Joshua Quillen's Concert Honesty Podcast

Josh Quillen

"Sarah is an amazing composer and is one of the founders of New Amsterdam Records. I’ve known Sarah since grad school at Yale, and it was nice to finally sit and chat with her." The inimitable percussionist Josh Quillen of So Percussion interviews Sarah.

May 13, 2020

The New York Times

Douglas W. Shadle

"The premieres of new works by Olga Neuwirth and Sarah Kirkland Snider were among the most crushing losses of the canceled final months of the New York Philharmonic’s season this year." Musicologist Doug Shadle interviews Sarah for his essay on the early days of programming at the New York Philharmonic.

January 26, 2020

WRUU Contemporary Classics

Dave Lake

Two hour radio interview about her song cycle 'Penelope' with interviewer Dave Lake, in advance of the Winnipeg New Music Festival hosting Sarah as Distinguished Guest Composer in Residence. A close look at the meaning behind each song.

October 18, 2019

Yale Oral History of American Music Interview

Libby Van Cleve

Three hour taped interview with Sarah about her background, upbringing, education, and career. Transcript in progress, TBA.

March 27, 2019

Red Bull Radio: Peak Time

Harley Brown

"Today on the show we hear a conversation between Peak Time correspondent Harley Brown and Sarah Kirkland Snider — they discuss the New Amsterdam Record label's genesis, where Snider sees modern classical going, and why the misfits are worth listening to."

January 17, 2019

NPR -- Studio 360: Rediscovering Hilma af Klint

Lauren Hansen

"Sarah Kirkland Snider composed an original piece of classical music called “You Must Feel with Certainty” that was performed live at the Guggenheim by Vox Vocal Ensemble." Lauren Hansen interviews Sarah about the piece she wrote on Hilma af Klint using her exclusive writings on loan from the Guggenheim and inspired by her mystical art.

December 27, 2018

I Care If You Listen: 5 Questions to New Amsterdam Records on Their 10th Anniversary

Megan Ihnen

"Navigating the ever-changing tides of album-based musical projects may seem like an immense risk, even to those knowledgeable of today’s winds and currents. However, New Amsterdam Records continues to be a beacon." Interview with Bill, Judd, and Sarah.

July 30, 2018

NPR: The 200 Greatest Songs by 21st Century Women

Lara Pellegrinelli

"The gorgeous, haunting song cycle updates Homer's Odyssey from the perspective of its female characters. Snider has been taken to task for writing music that is too vulnerable and too expressive. In "The Lotus Eaters," she answers her critics powerfully with restless music that overflows from an intoxicating desire to forget."

June 8, 2018

New York Magazine on New Amsterdam Records

Justin Davidson

"Judd Greenstein, William Brittelle, and Sarah Kirkland Snider aspired to bust new music out of its specialist niche. They saw themselves as advocates, not just for themselves but for the kind of community I had hoped to find in the late 1980s." —Justin Davidson

May 13, 2018

WQXR: Composers on Motherood

Sarah Kirkland Snider

Sarah and other composers share their thoughts on motherhood.

November 3, 2017

The Washington Post: Female Composers Are Making Great Strides

Anna Midgette

"We should be beyond this by now. Indeed, we should have been beyond it a generation ago. "The social culture of the composition scene was quite shocking to me," composer Sarah Kirkland Snider wrote earlier this year on NewMusicBox.com, the leading contemporary-music webzine. "In many ways it felt like stepping back in time."

October 31, 2017

I Care If You Listen: Five Questions to the Composers of the Blue Hour

Amanda Cook

Rather than asking our customary five questions to a single composer, we asked a single question to each of the five composers involved in this project: Rachel Grimes, Caroline Shaw, Shara Nova, Sarah Kirkland Snider, and Angélica Negrón.

August 4, 2017

The Washington Post: The Top 35 Female Composers in Classical Music

Anne Midgette

"In the wake of much discussion about the chronic underrepresentation of female composers on American concert programs, I came up with my own best-of list. Since I was responding to a list of recordings, I confined myself to artists active in the recorded music era."

May 17, 2017

NewMusicBox: "Candy Floss and Merry-Go-Rounds: Female Composers, Gendered Language, and Emotion"

Sarah Kirkland Snider

When I was first starting out as a composer, a composition teacher offered me some bracing words of caution: “Sarah, you’ll have a difficult path. Your music is direct, lyrical, expressive. When a man writes like that, it’s brave and admirable; it’s going against type. But when a woman writes like that, it can be seen as sentimental and indulgent."

March 23, 2017

WUOT Radio

Melony Dodson

Before her Big Ears Festival performance of Unremembered, Morning Concert host Melony Dodson and Sarah have a frank conversation about this song cycle and her influences and compositional style, but also discuss the evolution and progress of "classical music" as a genre, as well as challenges that she has encountered as a female composer.

March 16, 2017

The Log Journal

Steve Smith

Steve Smith conducts an interview with Sarah and Nathaniel Bellows, the lyricist and illustrator for Unremembered. In the midst of touring the project, Snider and Bellows sat down one recent afternoon in Williamsburg to trawl through memories of conceiving and creating Unremembered, taking it on the road, and what comes next.

March 9, 2017

MinnPost: Four Questions with Sarah Kirkland Snider

Pamela Espeland

"Inexplicably — and in a coup for the SPCO’s Liquid Music and its curator, Kate Nordstrum — this will be the U.S. premiere of a work that was one of the most acclaimed album releases of 2015. Snider will arrive here from touring “Unremembered” in Holland and Belgium. We emailed her some questions earlier this week."

March 7, 2017

Liquid Music Blog

Jodie Landau

Composer Sarah Kirkland Snider joins the ever-curious Jodie Landau for an in-depth conversation about Snider’s song cycle, Unremembered, which has its U.S. premiere this Saturday in Minneapolis with the St. Paul Chamber Orchestra as part of the SPCO's Liquid Music Series, curated by Kate Nordstrum. Sarah really enjoyed this interview.

October 7, 2016

Q2 Music/New Sounds: A Day in the Life of Sarah Kirkland Snider

John Schaefer

"Princeton-based composer Sarah Kirkland Snider also serves as a Co-Director of New Amsterdam Records. In between score revisions and mobile office meetings, Sarah discovers home-made toilet paper sculptures and is asked one of life's greatest mysteries: "Mommy? What does Yoda look like when he's naked?"

May 11, 2016

US 1: A Composer's Stories That Only Music Can Tell

Dan Aubrey

"I think of myself as a narrative composer. I’m interested in writing music that tells a story — music that has an involving, emotionally direct, and vivid aural storyline — either with text or without." An interview about Hiraeth, Penelope, and life married to a fellow composer.

May 6, 2016

I Care If You Listen: 5 Questions to Sarah Kirkland Snider

Arlene & Larry Dunn

"Composer Sarah Kirkland Snider is in the midst of a whirlwind season with a new orchestral commission from Detroit Symphony Orchestra; a multi-media co-commission, Hiraeth, from North Carolina Symphony and Princeton Symphony Orchestra; and a new mounting of her song-cycle Penelope, also by Princeton Symphony Orchestra."

May 5, 2016

CentralJersey.com: Honoring a Father with Music

Anthony Stoeckert

"Sarah Kirkland Snider was writing a piece of music about her memories of North Carolina — the state her father is from — when her family received devastating news." An interview with Sarah about her orchestral work, 'Hiraeth'.

May 4, 2016

US 1: Composer Sarah Kirkland Snider reflects on growing up in Princeton

Sarah Kirkland Snider

"It’s hard to say exactly when music entered my life. My parents make it sound as though I came into the world humming." An essay about Sarah's early musical life growing up in Princeton, NJ.

December 1, 2015

WBUR: The Story Behind Penelope

Keith Powers

"[Penelope playwright Ellen McLaughlin] wanted to sing it, and that actually has a lot to do with the reason that it exists between classical and rock. She doesn’t read music, and she needed to learn it by ear. That sort of liberated me to get back in touch with music that I still loved."

November 26, 2015

The Boston Globe: In Snider’s ‘Penelope,’ evidence of a composer’s odyssey

David Weininger

"Snider took a circuitous route to composing, and always felt like a late bloomer who had to play catch-up. When “Penelope” became one of the most acclaimed song cycles of the last decade, “it was nice to feel like I could feel free, make myself whole again, and incorporate all these musical values that I loved,” she said."

October 1, 2015

San Diego Union-Tribune: Rock Taking a Role in Snider's Music

James Chute

"She studied at Wesleyan University and Yale, but equally important was an upbringing that included working on classical music (piano and cello) while constantly hearing her parents play rock in the car and around the house. She never got the message that one was better than the other."

September 23, 2015

Indy Week: The North Carolina Symphony delivers the world premiere that animates the memories of vital young composer Sarah Kirkland Snider

Dan Ruccia

"When North Carolina Symphony General Manager Martin Sher approached New York composer Sarah Kirkland Snider about writing a new piece, a set of images immediately flashed into her mind. She remembered something particular about the light: a memory of lush North Carolina foliage in the summertime, when she would wander aimlessly through it all."

September 21, 2015

WRAL: Composer to Debut 'Hiraeth'

Renee Chou

Composer Sarah Kirkland Snider discusses the origins of her deeply personal new orchestral work, "Hiraeth,"and the accompanying film by Mark DeChiazza, and its debut performances with the North Carolina Symphony.

September 5, 2015

Thought Catalog: Music for Writers: A Ravishing Fever Dream From Sarah Kirkland Snider And Nathaniel Bellows

Porter Anderson

"Childhood trauma is alluring but fiendishly difficult material for writers. In Unremembered, a new collaboration by the composer Sarah Kirkland Snider and the poet Nathaniel Bellows, you’ll find an aching, masterfully unnerving lesson in how it’s done." One of Sarah's favorite interviews about Unremembered.

September 1, 2015

NewMusicBox Sarah Kirkland Snider: The Full 360

Molly Sheridan

In advance of the release of her second full-length album, Unremembered, Sarah has a long conversation with Molly Sheridan at her home in Princeton, New Jersey—on her influences, education, circuitous path to composition, and embracing deeply emotional content.

February 25, 2013

Minneapolis City Pages: Interview

Lily Troia

"Composer Sarah Kirkland Snider is at the forefront of the "post-classical" scene where genre boundaries can't keep her and contemporaries from fertile new artistic ground. We spoke with Snider and Worden about Penelope and their approaches to collaborations and creativity."

June 6, 2012

The Glass: Interview

Chris McGovern

"So then I started thinking, “Wait, I have all these ideas for the music that I think will make sense for the project, but I’m afraid to use them because I’m a ‘classical’ composer? Why does the classical portion of my background have more say over what I write than the non-classical portion?""

May 13, 2012

The New Jersey Star Ledger: Mixing Motherhood and Melody

Ronni Reich

"You have to be willing to embrace the worst kind of pain to love that deeply," says Snider. She felt herself open up and she strives to use all that she feels in her music, to write honestly, unafraid of any sentiment, no matter how raw — a little like some of the masters she emulated early on and with whom she shares today's concert."

May 11, 2012

Trenton Times: Snider's Disquiet is part of Princeton Symphony program

Ross Amico

“It was a piece that continued to haunt me even after I ‘completed’ it. It’s about the anxiety of unspoken words, or the restlessness. I imagine most composers would say that their music is in some way expressive of their experiences in life. And this piece is certainly no exception." Interview about 'Disquiet.'

May 9, 2012

WPRB Classical Discoveries with Marvin Rosen: Sarah Kirkland Snider

Marvin Rosen

A three-hour, two-part interview with Sarah conducted by the inimitable Marvin Rosen in the WPRB studio.

April 20, 2011

Flavorwire: 10 Young Female Composers You Should Know

Judy Berman

"Sarah Kirkland Snider has been on the classical circuit for years, but her breakthrough came with last year’s arresting Penelope."

April 17, 2011

NPR: 100 Composers Under 40

Alex Ambrose

"A few weeks ago, Q2 and NPR Music launched a crowdsourced project to determine listeners' favorite composers under the age of 40 — and, by extension, those pieces which were shaping our contemporary musical scene and defining what it means to be a composer in the 21st century."

March 15, 2011

The Huffington Post: Ecstatic Music Festival

Daniel Kushner

"...some of the best music in the scene right now is being made by women, and that’s what the Ecstatic Music Festival is about: all the incredible music being made right now in this little fertile patch of terrain between genres. When you’re after the best music and the best festival, it’s not a feminist move; it’s a musical one."—SKS

October 28, 2010

The Indie Handbook

"The way hints of Radiohead and David Lang mingle with St. Vincent and Chopin only to be reabsorbed into an aural landscape that is uniquely the voice of Sarah Kirkland Snider, results in what is easily the most beautiful album of the year. Here is my Twitter interview with its composer, Sarah Kirkland Snider."