A song for soprano, harp, and string quartet -- or, soprano, piano, and string quintet -- with text by Sarah Kirkland Snider, based on prose by Hildegard von Bingen.

An original arrangement of the 12th-century chant by Hildegard von Bingen, for soprano and string quartet.

(2008, arr. 2019) Identical to sextet arr but with guitar/egtr. Duration: 60′. 11-song cycle (with three instrumental interludes.) Words by Ellen McLaughlin. Songs can be performed separately.

(2008, arr. 2019) Best arr. for staged/semi-staged productions. Duration: 60′. 11-song cycle (with three instrumental interludes.) Words by Ellen McLaughlin. Songs can be performed separately.

An hour-long song cycle for three vocal soloists, chamber ensemble, and electronics.

(2012-2013, arr. 2016) Duration: 23′. Words by Nathaniel Bellows. Songs: I. Prelude, IV. The Guest, V. The Slaughterhouse, VII. The Swan, VIII. The Witch

(2006, Arr. 2015.) 4' song for Soprano, Violin, Cello. Text by Ivanna Yi. About discovering one's identity.

(2013, arr. 2015) Duration: 18′. Five songs from Unremembered. Words by Nathaniel Bellows. Songs: 1. The Guest 2. The Slaughterhouse 3. The Girl 4. The Swan 5. The Speakers

16' set of songs for soprano and mixed nonet. Text by Ivanna Yi, on the theme of identity.

(2008, arr. 2011) Duration: 60′. 11-song cycle (with three instrumental interludes.) Words by Ellen McLaughlin. Songs can be performed separately.

4' for soprano and two violas; text by Ivanna Yi. About discovering one's identity.