O Sweet and Beloved Mother, a study for my upcoming opera on Hildegard von Bingen, is inspired by a pair of melodic lines from two antiphons by the 12th c. saint/composer/visionary/polymath: ‘O Vis Aeternitatis’ and ‘O Virtus Sapientiae.’ The title of the piece refers to a line in the former; themes of motherhood—whether referring to the Virgin Mary, Mother Zion, or Biblical virtues such as Caritas and Sapientie—were abundant in her prayers to the divine. The music imagines a moment where prayer expands into a vision, encompassing aspects of both. 

‍